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Showing posts with label autumn leaves. Show all posts
Showing posts with label autumn leaves. Show all posts

Friday, September 18, 2020

A Tale of Four Bails

EDITED TO ADD: I am having a 20% off sale on the tutorial for this project this weekend, Sept 19 and 20.  In fairness to those shopping for the tutorial because of the sale, I am posting the new kit at 8:00 am, since I feel the need to tell those buying other kits that this one exists.  If you want one and did not get one, I will make more this week.  Sorry for my change of plans! 

I have a new colorway for my Fall Flame Leaf kits.  I wanted to capture the full color of the Sugar Maples, and ended up also realizing imagery of the Forest Fires on the West Coast in this 2020 edition.  I think this particular color scheme is especially dramatic worn on black clothing

I have added this colorway to my tutorial and if you have an older edition and want these color names and numbers, please just Convo me on Etsy and I will send the new version along to you.  I also found an F near the end of Row 4 of the original tutorial that should have been an E.  So amended, AND corrected.  

As most things Pandemic, this was a little struggle.  I made four leaf samples to get one I liked, and them also created 4 bails to find one that supported the rope and leaf without taking too much focus.

Here are the leaf efforts.  I wanted to use silver-lined beads for their luminosity, and found many I liked.

I saw a little pink in the leaves I was collecting as models, and used a Toho #2226 Raspberry Silver Lined (Raspberry Fade above) at the very edge in my first sample.  But it was a dyed bead.  I rarely have trouble with those, but in this case, the color rubbed off, leaving silvery blue glints I kinda liked, but I worried about long term wear and durability.  So I switched to a Matsuno #638JS Silver Lined Rainbow Ruby, which had the blue and pink flashes I liked in the original.  I thought it looked BODACIOUS! But the work was extremely curly, given the larger size of those Matsuno beads with the tiny shiny black Miyuki Delicas I was using for the vines and edges, the Matsuno beads really pushed forward, both visually and physically.  That leaf was amazing, but more challenging to bead and very curvy indeed.  So I thought I would switch to Miyuki beads for the entire project., but the yellows (Lemon-Lime above) were a little too lemon-lime yellow, and the orange and flame red too close to each other in hue.  So I thought I could switch to Toho shiny black edges and veins, but I needed wholesale quantities and could not find them at my local supplier.  So I switched to Toho Jet Black Matte for the veins and their Semi Glaze Black for the edges and Went back to some of the Original Matsuno colors I loved, with a Miyuki Ruby AB E bead, and finally!!!had a leaf I thought was good.  

Let me say right now, if you like the Bodaciousness of the Matsuno S/L Rainbow Ruby, just tell me, and I'll replace the Miyuki beads in the kit for you with the Matsuno.  I have made the kit I think it easiest to bead and representative of the results I was aiming for. 


 I really like the matte black beads over my original shiny choice.  It looks all the more like flames and forest fires to me, and that seems so right for this year.

Now, about those 4 bails.  Most of the other kits have a rainbow finish Aiko or Delica as their bail, and some have a mix of beads.  My first two guesses for the bail failed to belong to the work in any real way.  I used both colors in the original sample, one in the first few rows and the second in the last few, to equally poor results!  GAH!

Then I tried a black matte bail.  It became complete focus of the necklace to my eye.  Nope.

Then I mixed Delicas in the B, C, and D colors of the leaf.  This was a step in the right direction and seemed a part of the whole.  You could choose to do it with the kit as provided.

My final bail choice was to take the three BCD colors from the leaf and organize them into a gradation similar to the leaf.  I felt like it pointed at the leaf, and put the focus where I wanted it.  I have included a closeup photo of this work in the kit, and I was not super strict with where the beads went exactly, just tried to put as close to the same number beads of each color in each row as I could, given row counts.  The color shift is subtle, and gently random, but I really felt it was a good solution to the problem.

The pile of beads purchased and not used is ridiculous.  BUT I am at peace with what I have to present and that means more to me than anything else.  I might also feel a new beaded Autumnal Bag coming on.  I might need all those rejects after all!  I am so spoiled by the two great Twin Cities Bead shops Bobby Bead and Stormcloud Trading.  Thank you for being here!

Kits for the new colorway will be available in my Etsy shop tomorrow, September 19th, probably 10:00AM CST.  I doubt there will be a huge rush, but if I am wrong, I can re-kit fairly quickly, now that all the hard work is done.  Stay safe, my beady buddies, and enjoy this beautiful autumn! I'll drop in a link tomorrow for the kits, and if you want the updated tut, just convo me and I'll be sure you get a copy.

Saturday, November 9, 2019

When Beaders Use My Patterns in Unexpected and Interesting Ways


I checked in at my Etsy shop yesterday to fill an order, and found a new review with a picture!  I just love it when you leave me pictures!

This photo is from Misty of The Wicked Queen Jewelry and More on Etsy.  The shop name is a link, but her shop name is mistythewickedqueen, just in case you want to Google or look her up on your own.

She purchased my Fall Flame Leaf tutorial, and had a great time playing with it.


It makes me so happy to see people exploring my designs with their own aesthetic and colors.  Stretches my own brain to see through other artist's eyes, and makes me feel like a contributing member of Planet Bead.

She generously allowed me to post her image and awesome work, plus left me a very kind review, and I am so very thankful!


Tuesday, September 23, 2014

Testing... 1, 2, 3, 4... 5... 6...


I have been thinking about making bead embroidered clothing for almost four months now.  And it has been hard to start, because I knew the results would not be very swell the first time.  But I am going to share my struggles.  Because both of us can learn from my mistakes, eh?

 Lesson #1
If I want to keep using quilted dupioni silk as a base, I need to contrast the embroidery with the silk color.  Matching it doesn't work.  I am used to working in the super-bling of rhinestones, but the beads do not have enough punch of their own, (unless I am planning to be very subtle) to be the same color as the busy textured ground.  If the ground was not quilted, it might work.  I do like seeing some fabric in this piece, but I can also imagine loving entirely filling the graphics with beads.  But, wait... weight!  But the idea of using floss in conjunction with beads is pretty juicy too!

Lesson #2
I was so excited when I realized that I was finally ready to give this a try, I did almost zero design work.  I just flew by the seat of my pants.  I grabbed a quilted vest I owned, patterned a similar vest, chopped it out and laid out applique on it as fast as I could, so I could start working with the beads.  
Fine, but if I want to produce something gorgeous, I need to plan.  And since I am planning to make the garments myself, I need to start with the design of the garment, and THEN the design of the embellishment.  No more wasting energy on making it up as I go along.  

Lesson #3
I don't think I want to use bead backing.  I want the garments to stay as supple as possible, so tension is everything.  And I have a notorious tight hand with a needle. So I must pull the thread taught and STOP.   I don't really see a way to put the work in a hoop, so I have had to learn to keep it completely flat where I am working, so I do not cram in too many beads, another of my favorite things to do. Every time the lines buckle, too many beads is the problem. Took me a long time to catch on.  
 I started at the top and worked my way down with the scroll work.  You can see how my edges improved as I went along.  They REALLY SUCK the the top.  It is much easier to work over the extra layer of fabric where the applique is, than to stitch free form without the added stiffness of the applique.

Lesson #4
Finishing the garment is going to take time, and I have to account for that.  I imagine that what I want to make will be mostly tailored things, vests, jackets, coats...  And everything will need linings.  I am an adequate tailor, and hopefully my skills will be sufficient to the task.  


Lesson #5
There has to be a way to clean these garments I want to make.  I purposefully chose beads with various finishes from various manufacturers.  And I will send the thing to the dry cleaner and see what happens.  Eek.  That will be a grand lesson.  I know Miyuki has a list of beads they consider to be colorfast.  I imagine Toho does too.  No idea about Matsuno.  We shall see.  This was the thing that was maybe the most frightening to me, but the stores are full of fall and winter party dresses. Many of them have beadwork, with beads that look less permanently attached and of lower quality than mine. 

Lesson #6
 I need to think about closure as part of the design.  I have some awesome Chinese frogs I thought would close this garment, but nope, WAY too busy.  I ordered gold snaps.  FROM TURKEY!!! Because that is where I could find nice brass snaps.  Really?  Really!  So the closure will have to wait a bit.  But I think I am ready to do some sketching for a second effort.