Everything's Coming Up Crocus

When the Etsy Beadweavers "Seed Beads Only" challenge was announced, I thought it might be nice opportunity to make beaded flowers, something I usually enjoy.  I began with researching crocus on google images and found the variety of colors and shapes appealing, so decided to make several different colored and shaped versions to replicate one particularly appealing image, from Dutch Mill Bulbs.

The range of colors ran from white through yellow to blue, purple, and even magenta. There were also lovely stripey patterns and beautiful ombre's. They all had six petals, but some were pointy, some more blunt, and opened from tightly closed to gently cupped with age.

I simplified a little to try to avoid visual confusion. And finally after a number of test petals, selected five I liked, and got the flowers finished, complete with upright stamen and pistils.   Most of the plants had delicate grasslike leaves and those were my biggest struggle.  I tried some peyote ones that I could cup a little with bead choice and thread tension, but they looked like bandaids to me.  Drat!  :o)

Then I turned the peyote sideways and did a double needle odd count technique, with beads in 4 sizes.  This did not have the same structural merit as the little bandaids, but did pleasantly reflect the size and shape of the leaves.

The white center stripe was also clean and clear with this technique, and I could create curves, but they required support.  So, enter the bead backing.  I created each leaf and then stitched it to the bead backing.  I decided the spiky quality of the leaf structure didn't really want to be other than straight, so ditched the curve potential.  I placed the leaves in what I hoped was a randomly balanced  pattern, and trimmed away the backing as I went.

Then I went on a hunt for something soft and comfortable to back the bead backing with, and a means to apply the backing without widening the leaves with the traditionaly quilled edge beads. I asked my friend Kinga Nichols (beauteous bead embroiderer!) a million questions about leather, adhesives, and stitches which she patiently answered. I found a beautiful piece of "super softy pigskin" in a deep green, and know I will re-visit Tandy Leather in Roseville to buy more in other colors some day.  I tried buttonhole and blanket stitches without an edge bead, but finally decided that the best finish was the quilling.  I quilled with both size 11 and 15 beads, and kept my shape reasonably well with only a small amount of additional width.  I thought the leaves looked like tiny crocodiles from the sides, with their two rows of scary tooth beads!

This finished product is certainly organic in feeling, different from my usual precise and more formal results, but a happy little piece, and certainly a nice harbinger of Spring.

Serendipity for my Sister

Two years ago, my sister gave me three cabochons for Christmas.  She told me that my mother loved one of them, and she loved another.  I made my mother's favorite into a necklace for her 87th birthday.

Last summer, my sister told me that what she most wanted for her December birthday and Christmas gift was "her" cabochon, transformed into a piece of jewelry.  I got it out and was not particularly inspired, but decided I would make a start and see what happened as I went along.

It's a Payne's gray and creamy white stone, maybe something like Dalmation Jasper but the domed surface was pitted and I was having a hard time with that.  I tightened the bezel on the front side and flipped it over to work the back.  EUREKA!  The back of the cabochon is a nearly perfect image of the mountain that my sister and I grew up on in Helena, Montana.  Had she seen this?  I had certainly not. It's the view from my parent's house front yard, on the North slope of Mount Helena.

 It has the right shape and proportions, the tree line is nearly visible in the markings, and the color placement makes it look just like the real mountain does about this time of year, with a beautiful frosting of snow.

Flat side of the cabochon, the Mt. Helena image!

I decided that the piece could be reversible, in case it was the front of the cab Cara was loving, and so designed a woven bail that would allow for "reversability."  Then I decided to add some branch fringe, again, in a reversible way, so that it might look as though you were viewing the mountain through frost or snow covered trees and shrubs.

As I worked the fringe, I have another EUREKA moment.  The fringe looked like the branches I was hoping for, and it also resembled ROOTS.  MY roots.  My SISTER'S roots.  Simply amazing to me how a duty can become beauty, and touch your heart with a little effort, confidence, and faith.

The "right" side of the cabochon, with the pendant on the twisted 8- strand neck strap.

I first strung an 8-strand necklace for the pendant to live on.  Well, no.  FIRST I tried to make a bead crocheted rope.  For a couple of days, and many online tutorials, and many different sized and colored beads, and with tremendous frustration, I tried to make a bead crochet rope.  Apparently, being able to crochet has little to do with bead crocheted rope.  This is the first thing I have tried to do with beads at which I have achieved a complete and total FAIL.  I will not allow this to remain something I cannot do, but with a deadline looming, I strung an 8-strand necklace for the pendant to live on.

Because of the breadth of the bail, the strands had to be twisted to look nice and I didn't love that.  SO, I looked up Heather Collin's brilliant and easily comprehensible tutorial for cubic right angle weave, and made a second strap, which I liked much better!

On the CRAW rope, Mt. Helena side visible..

I'll send both necklaces, since either could be worn by itself, or with the pendant.

I know Cara does not read my blog, so I think it's safe to publish this post at this point, but please don't spoil the surprise.  Don't share this post with Cara until December 24th!

Merry Christmas to you and your family.

A Gift for a Friend

For her birthday, I told my friend Donna I would design a piece of jewelry to go with any outfit of her choosing.  She delivered a new top to me a couple weeks ago and I thought it was a great choice!  It has a funky peacock-inspired print in shades of turquoise, purple, fuchsia, cobalt, and ruby red, on a black ground.  The print is luminous and the colors really pop off the surface of the fabric in some places, and fade to neutral in others. The neckline was a deep V and I immediately wanted to fill that V with a Y shaped peacock tail image of my own.  The top is lush and rich, but subtle, and could be a casual shirt, looking great with jeans.  It could also dress up for a coctail party, so I wanted my piece to serve both purposes.








I found a dyed howlite torus in a nice turquoise-y color, and collected beads from my stash in all the colors in the shirt, choosing some Swarovski sparkle and lots of matte stone to serve my dual purpose.  Then I began fringing the torus wrap to create my tail.

I got it SO wrong the first time!  Bad proportions with too much length, and I mixed the color in horizontal bands and that was a mistake as well.  When you lave lots of texture and color, I think you need to organize it well to keep it from being a  messy pile of confusion, which my first effort was.  I'll show you, because it's the only photo I have of Donna's wonderful top...  But you can tell I wasn't pleased by the photo I took.  Sigh.  See how that color pops?  What a great shirt!

I don't know why this should be, but frequently when I design my beadwork, I have to do it wrong to see what it should be.  After staring at my chaos version for a while, I realized I had an opportunity to create a peacock eye image with the color selection, and that brought order to confusion and calmed the messy texture down to a reasonable level.  BUT, Donna is a petite woman, and I was worried that I had still not gotten the scale right for her. So I dithered about maybe making something more simple, and couldn't quite put the beads away yet.  But I did really like both the color arrangement and the depth and lushness of my second effort.

Fortunately, Donna stopped by yesterday with coconut macaroons from the Crossroads Deli, and while I made us tea, and she noticed the necklace on my stand and liked it! She tried it on, and I marked the length and finished the clasp while we drank our tea, and she will test drive it on Friday on a date she is looking forward to. 

I'm so glad that worked out!  And now all I need is a photo from that date... 

Decisions To Be Made

I belong to the Etsy Beadweavers Team, and once a month, we hold a challenge, where members can bead something on a specific theme, and enter a contest to choose the best entry. The winner of the contest gets to choose the theme of the next challenge, and is featured on the team blog and facebook page.

In the past, the winners have been determined by popular vote on our team blog. There will still be a popular vote and a Fan Favorite. But this month, we are trying out a new voting system whereby the team will choose a Team Favorite.

I personally feel that extra consideration is due to my selection this month. It is my hope that this new team vote will be a reflection of what our team values as a group. And I want to establish a list of criteria for myself to help me make my selection.

I cannot take credit for this idea. It came from the Bead Mavens. They have hosted two competitions and found that it was hard for the group to select a winning entry, with each person having their own criteria, likes and dislikes.  Their solution was to develop a list of valuable characteristics.  Then each member ranked each entry by each criteria, using a point system. Finally, they compiled this information to determine their winner.

As a big fan of spread sheets, I think my selection system will take that form. So now to establish my criteria.

I think I'll start with FIRST IMPRESSION. When I first look at it, is it fantastic, or do I like it, or do I not find it appealing? And since this competition has a theme, I think that had best be my second criteria. How well does the design encorporate the THEME? Perhaps I can eliminate some of the work from consideration at this level.

When I am ready to delve deeper into my favorites, as an artist with an MA in costume design, I think the basic elements of design deserve consideration, so onto my spread sheet will go, LINE, COLOR, TEXTURE, SHAPE & FORM, (which for me is about the use of both positive and negative space) and my personal favorite MOVEMENT. You could argue for the inclusion of other ideas here, but those are the big six for me as a designer. I use a lengthy cadre of other concepts, repetition, sequence, gradation, transition, rhythm, proportion, scale, contrast, balance, on and on, but they are lesser tools, like supporting characters and I don't consider them all each time I design, so I'll stick with my major players. And while I am considering, I'll keep the theme in mind here.

Next, there are some technical considertions. What is the construction of the work like? How is it finished? Is it beautifully made? I think I will call this TECHNIQUE.

Then, since this is a contest between Etsy sellers, I want to consider SELL-ABILITY. Would someone want to purchase this item? Would they want to wear it or display it in their home, or maybe in their gallery?

I think there are some things that I don't want to consider. I don't really care how long the work took to make, or how complex it is, or how much it costs. Price, especially, is so specific to the seller that it would reqire comparing apples to oranges. Some of our members sell only on Etsy. Others sell in galleries and at art fairs as well. There is a huge range of experinece among our members and their pricing reflects their own needs and costs. I don't think for me it's a consideration.

Then there is one final something a little more intangible to consider. I'll call it ARTISTRY. Does everything come together to create a cohesive whole that speaks from the artist's soul to mine? Do I feel something when I look at this piece? Does it change me, make me see in a new way, make me ache or smile or cry? This is a very deeply personal thing, and I would expect that my reaction is probably not the same as yours, but still important.

I think I like my list, and it's probably more than complete for my purposes. I'm ready to make my spreadsheet, in preparation for casting my one, important-to-me, vote. I don't know what criteria will matter to other members, and I surely do not mean to suggest that my system is the only, or the best way to choose a winner. It's just mine. And writing it down and sharing it seemed an important thing to me this morning. So, now, before my laptop battery dies completely, off to work!